First  |  Previous  |  Permalink  |  Next  |  Latest

#309: Tough (Brotherly) Love

December 15, 2008

Notes from the Manager

Related Strips: #259: Here He Goes Again

You can see the trailer for Milk over at Apple. The film has been in limited release for a couple of weeks, but should in a relatively wide release across North America now.

We’ll be talking about it a bit tonight at 9PM Central on The Triple Feature (as well as a few other movies, including — I think — Doubt and The Day the Earth Stood Still), but the short version of my opinion of the film is that I felt it did a terrific job of balancing the story of the life of Harvey Milk with enough historical context to make it understandable — yet without ever feeling like a history book, either. To the filmmakers’ credit, they also managed to avoid whitewashing Milk as a human and glorifying him to the point of some sort of mythological hero, as well.

The cast is superb and director Gus Van Sant’s use of archival footage throughout the film, rather than just at the end as in many other biopics, really helps to set the film in its time and place (and, presumably, to keep the budget down). Much more than just a cookie-cutter biopic or an “issue” movie, Milk is a fantastic movie: smart, funny, and, of course, heartbreaking, but never too sentimental for its own good.

(If you’re wondering why Chase not knowing who Harvey Milk is is a big deal, I recommend Steven Petrow's recent editorial, “Remembering the Lessons of Harvey Milk: What It Means to Be Gay,” for The Huffington Post.)


Share This Strip:   Twitter Facebook Google+ StumbleUpon

How much Multiplex can you handle?!

Multiplex is made possible by Andrew Hathaway at Can’t Stop the Movies and readers like you via Patreon, who contribute over $600 per month to keep Multiplex updating and ad-free.

In addition to the warm, soothing feeling of being a patron of the fine art of comic strippery, Patrons get access to free Multiplex eBooks, sneak previews of upcoming comics and other behind the scenes peeks, sketch giveaways, and more!

Become a Multiplex Patron today!

You can also support Multiplex by shopping at the Multiplex store — or at Amazon via these affiliate links: United States | United Kingdom | Canada

Deleted Scenes Blog

Bonus comics, drawings,
movie trailers and more

Multiplex Movie Review: The Island (2005)

Wednesday, August 26, 2015

multiplex-island

This is  not as accessible to people who haven’t seen the movie as I like these reviews to be, but if you’re not familiar with The Island or Never Let Me Go at all, the premises are that clones are raised and educated as “spare parts” — which is just plain absurd. (The idea that such a thing would be allowed by any reasonable society made the premise impossible for me to swallow, except as a very far-fetched Twilight Zone-style scenario. At least in The Island, it was secret and illegal.)

An absurd premise isn’t a deal-breaker, though, really. But The Island never lets you go past its implausible premise, because it is constantly trying to explain how it all works in equally stupid ways, further compounded by Bay’s typical disregard for logic and continuity:

  • Once Lincoln Six Echo (Ewan McGregor) learns the truth about their lives, he goes to the apartment of Jordan Two Delta (Scarlett Johannson) so they can escape. She greets him at the door by saying, “How sweet! You came to see me off” (I’m paraphrasing some of that)… yet their next scene, moments later, she is surprised and exclaims that he isn’t allowed in the female tower (as it’s called). This might be able to be explained away by some contrived explanation, but… the two moments feel completely incongruous.
  • The massive underground facility the clones are kept in is maintained by presumably hundreds of normal human employees (including Steve Buscemi, Sean Bean, and Yvette Nicole Brown’s characters) — complete with a showroom for ultra-rich potential clients. Yet Lincoln and Jordan emerge from it into desert with nothing around. No helicopter landing pad, no parking lot… nothing. We even see a helicopter landing pad later in the film, yet it is again nowhere to be seen at the very end of the movie.
  • Pursued by mercenaries, Lincoln and Jordan end up in a train station. The mercenaries open fire, killing Steve Buscemi, and a panic ensues inside the station… yet Lincoln and Jordan run onto the train with oblivious workers and passengers milling around calmly — and it then proceeds to leave the station as if no one has just gotten murdered… and arrives some time later in Los Angeles, without incident.

Minor or not, the sheer number of them just keep piling up. sigh

Anyway.

This is the last of the Multiplex Movie Reviews I’ll be sharing here in the Deleted Scenes blog for the near future. I hope you’ve enjoyed them!

Patreon patrons and Kickstarter backers will see more of these in their respective feeds come January — as well as the Multiplex: The Revenge bonus comics, of course. (There may even be a few movie review comics during the semester as time permits, but I can’t really promise anything. I’ve got A LOT of work to do for my thesis!)

EDIT: By the way, I wasn’t familiar with Parts: The Clonus Horror when I did this strip. (I don’t watch MST3K; I can’t bring myself to watch movies that shitty, even if there are incredibly funny motherfuckers talking over them.) But several people have told me about it since. These kinds of things are usually largely coincidental (or unintentional) — different people independently arrive at similar ideas all the time. $130 million movies generally don’t need to rip off obscure B-movie (or book, or comic book) plots when there are thousands of equally good ideas that they can legitimately use for less money than a settlement.

Other Recent Posts

RETURN TO TOP OF PAGE