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#681: A New Hope

March 19, 2012

Notes from the Manager

Related Strips: #680: The End Is the Beginning Is the End

If you want a better look at Kurt's T-shirt, vote for Multiplex over at TopWebComics.

Longtime readers will notice a somewhat familiar widget off to the right. This time around, I'd like to keep the amount of Kickstarter whoring in the Notes from the Manager to an absolute minimum, so just head over to this Deleted Scenes post to read more about that — or just go straight to the Multiplex: Book 2 Kickstarter page.

I do need to make this post long enough so that the widget doesn't break my layout, though…

Um. So yeah.

If you have any questions about the Kickstarter project, feel free to ask me about it over in the Deleted Scenes post or on the Kickstarter project page itself. I'm happy to answer them.

Damn. Need a little more.

Thank you for reading. You've been unbelieveably supportive of this silly little comic of mine for the last seven years, and I feel bad asking for your assistance yet… again… but hey. At least it's not something for nothing, right?


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Multiplex is supported by Andrew Hathaway at Can’t Stop the Movies, A Fan of Coherence, and readers like you via PATREON. Help keep the Multiplex 10 open for business by becoming a patron today!

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Deleted Scenes Blog

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Review: Coherence (2013)

Saturday, October 4, 2014

2866360_big
Written and directed by James Ward Byrkit.
Starring Emily Foxler, Hugo Armstrong, Nicholas Brendon, Elizabeth Gracen, Lauren Maher, Alex Manugian, Lorene Scafaria, and Maury Sterling.

A new Patreon backer at the $50 level opted out of the usual reward of a plug in the “Become a Multiplex Patron” box (above, on the website), asking instead for me to plug the 2013 indie science fiction filmCoherence (with which he is not affiliated). I was happy to oblige, and so “A fan of Coherence” — a.k.a. The Patron, as I’ll refer to him from here out — is, for the duration of his patronage, among Multiplex‘s supporters. (And, yes, I will review just about any movie a $50 backer asks me to.)

What really got my interest in the film (aside from being asked very nicely to see it) was that The Patron compared it to Shane Carruth’s Primer, one of the best no-budget sci-fi movies ever made. I can definitely see the comparison: both are decidedly low-budget films with small casts and a science-fictiony premise. I feel like seeing the film fairly blind is probably the best, so I won’t summarize the plot beyond the premise of eight friends having a dinner party when a comet passes over and Strange Things Happen, but I don’t think I’m quite as enthusiastic as The Patron.

Unfortunately, the “go in as blind as you can” suggestion means I feel like I need to be pretty vague. Some clunky (and largely unnecessary) exposition gets spat out early on, which tried my patience a bit, but it gets fun as the plot gets rolling. And the plot is definitely the star of the film, not the largely forgettable cast of affluent, Southern California white people or the dialogue, which often feels improvised (in that it neither pushes the story forward nor reveals character, as good dialogue ought to).

Despite some genuinely terrifically creepy or suspenseful moments in the film, a handful of contrived plot points hold it back from being much more than a fun genre flick for me, but I found myself wondering what would happen next — almost up to the very end. A late turn in the film got more of an eye-roll from me than the shock that I think it was supposed register. As always, your mileage may vary, but the film’s merits make it well worth a viewing, particularly for science fiction fans suffering from blockbuster fatigue.

Here’s the trailer! If it piques your interest, please do check it out. It’s available for rent from Amazon Instant Video or for purchase from its official website, among other places. (I never recommend reading YouTube comments, but definitely on’t read the comments if you want to stay away from spoilers.)

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