Notes from the Manager
Related Strips: #315: The Season of Giving
If you missed the update late Friday, you'll want to step back to #315 to read that and possibly the Notes from the Manager, as well.
More details about the shooting have emerged since a hearing last Wednesday, when the attempted murder charge was thrown out by the judge (as I expected):
[Woffard] Lomax, 31, told the judge he was at the movie with his girlfriend and her three teenagers, enjoying the film and laughing, when a man in front of him — not Cialella — told him to quiet down.
"We can't laugh?" Lomax recalled asking.
A second man threw popcorn at the family, and a brawl ensued. Lomax said he was fighting with the first man when the second man pulled out a gun and fired, striking him in the left arm.
A defense lawyer argued that Cialella was being choked and punched as he tried to break up the fight and fired in self-defense.
"He's a marksman," lawyer Greg Pagano said. "If he wanted to shoot to kill, he would have."
Some of Lomax's new account of the incident sounds a bit strange to me, considering that he previous told police that "Cialella was walking toward his family when he stood up and was shot," but perhaps the discrepancies between the two versions are attributable to the newspapers' editing, not Lomax himself.
Happy New Year, y'alls.
The movie they're watching is, of course, The Curious Case of Benjamin Button. I enjoyed it, but it failed to resonate with me as a love story (which was, unfortunately, the heart of it), in order to really make me fall in love with the film — even my massive crush on Cate Blanchett wasn't enough to make me care about Benjamin, despite a solid performance by Brad Pitt, well-aided by fantastic aging (and de-aging) special effects.
David Fincher's visuals were terrific, as I had expected, and there are definitely moments of brilliance in the film, so it was worth seeing. Even at 2 hours and 45 minutes, I didn't feel that it was too long, which says something in and of itself.
The comment about Taraji P. Henson's Southern black voice in the last panel (from a new customer character I call "Broseph"; he's with Chad of Chad & Trixie from the Mission: Impossible III strip) is one I've seen here and there on the internet, although I don't agree with it. The role of Queenie (Benjamin's adoptive mother) could have been a fairly stereotypical "Mammy" role, but Ms. Henson fills it out well, giving Queenie a heart; she's one of the strongest characters in the film.
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Sunday, March 29, 2015
I want to take a foray into electronic publishing.
I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.
There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)
What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.
Send questions (or submissions) to gordon at multiplexcomic.com.
The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.
Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.
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