Notes from the Manager
Related Strips: #315: The Season of Giving
If you missed the update late Friday, you'll want to step back to #315 to read that and possibly the Notes from the Manager, as well.
More details about the shooting have emerged since a hearing last Wednesday, when the attempted murder charge was thrown out by the judge (as I expected):
[Woffard] Lomax, 31, told the judge he was at the movie with his girlfriend and her three teenagers, enjoying the film and laughing, when a man in front of him — not Cialella — told him to quiet down.
"We can't laugh?" Lomax recalled asking.
A second man threw popcorn at the family, and a brawl ensued. Lomax said he was fighting with the first man when the second man pulled out a gun and fired, striking him in the left arm.
A defense lawyer argued that Cialella was being choked and punched as he tried to break up the fight and fired in self-defense.
"He's a marksman," lawyer Greg Pagano said. "If he wanted to shoot to kill, he would have."
Some of Lomax's new account of the incident sounds a bit strange to me, considering that he previous told police that "Cialella was walking toward his family when he stood up and was shot," but perhaps the discrepancies between the two versions are attributable to the newspapers' editing, not Lomax himself.
Happy New Year, y'alls.
The movie they're watching is, of course, The Curious Case of Benjamin Button. I enjoyed it, but it failed to resonate with me as a love story (which was, unfortunately, the heart of it), in order to really make me fall in love with the film — even my massive crush on Cate Blanchett wasn't enough to make me care about Benjamin, despite a solid performance by Brad Pitt, well-aided by fantastic aging (and de-aging) special effects.
David Fincher's visuals were terrific, as I had expected, and there are definitely moments of brilliance in the film, so it was worth seeing. Even at 2 hours and 45 minutes, I didn't feel that it was too long, which says something in and of itself.
The comment about Taraji P. Henson's Southern black voice in the last panel (from a new customer character I call "Broseph"; he's with Chad of Chad & Trixie from the Mission: Impossible III strip) is one I've seen here and there on the internet, although I don't agree with it. The role of Queenie (Benjamin's adoptive mother) could have been a fairly stereotypical "Mammy" role, but Ms. Henson fills it out well, giving Queenie a heart; she's one of the strongest characters in the film.
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Sunday, March 1, 2015
I was never a huge Star Trek fan, exactly. I love some of the early episodes, and I think Star Trek II: The Wrath of Khan is one of the greatest
science fiction movies of all time. I enjoyed Star Trek III and IV, too, for what they were. I read a bunch of the DC Comics Star Trek stuff at that time, because my brother bought them. And I watched a bit of the Next Generation and then fell off the wagon. Kirk and Spock were my Star Trek, and the Star Trek 2–4 “era” was its peak for me, warts and all, because that’s the “era” that really hooked me. And really, for me, it was all about Wrath of Khan.
In addition to playing Mr. Spock, of course, Leonard Nimoy did a lot of other things. He was on Mission: Impossible. He directed a few movies (Three Men and a Baby!). He was a photographer. He was the voice of Civilization IV. But one thing I really loved of his was Standby: Lights, Camera, Action, on Nickelodeon from 1982–1987, which provided a behind the scenes look at movies like Star Trek III, Return of the Jedi, 2010, and more. Nimoy hosted and occasionally interviewed guests like George Lucas. As a budding film nerd in the pre-Internet Dark Ages, behind the scenes specials like Standby: Lights, Camera, Action were hard to come by. I ate that show up.
Anyway, as you’re undoubtedly aware by now, Leonard Nimoy passed away on the 27th. As cartoonists do when they’re sad about these kinds of things, I drew a picture:
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