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#306: Life and Debt

December 8, 2008

Notes from the Manager

Related Strips: #301: Franklin Onassis, All American; #302: Necessary Roughness; #303: The Game Plan; #304: All the Right Moves; #305: We Are Multiplex

If you miss the reference in the last panel, shame on you.

The funny thing about me and The Godfather is, as many movies as I've seen, I'd only seen bits and pieces of it throughout the years, here and there, never the whole thing in one sitting — until maybe two years ago. (I'm 34, if you didn't know. So yes, shame on me, too, for waiting so long.)

See, I don't care for the mobster genre. I've seen one episode of The Sopranos and thought it was pretty good; The Departed and Goodfellas are fantastic, of course... but generally, it's not a genre I go out of my way to see. Mobsters, contract killers, and the like are scum; they're not inherently cool, which most films and TV shows in the genre just seem to take as a given with its audience. And so many of them have so little basis in reality that you can't even seriously view them in that regard. As action movies, I can get past this sort of thing, but generally… just not my cup of tea.

So, a couple of years ago, I was in a phase where I felt I should watch some of "the classics" that I haven't seen, and I thought maybe it was time to sit down and watch all three Godfather movies in a weekend — and I was absolutely floored at how exhilirating, how absolutely flawless the first film is. There's nothing I can say that others haven't said about it, so: if you haven't seen it, do. Even if you don't really have any interest in it, see it. Its reputation as one of the best films ever made is very much deserved.

As for the others, I know a lot of people think the second one is even better than the first; I disagree (although, to be sure, the second one is still fantastic). But I also think the third one isn't nearly as bad as the consensus seems to think, either. It's not great. It's a little creepy, with the incestuous love story (especially in light of the fact that it's the director's daughter). But it's not terrible, by any means. It's just nothing special. It's The Further Adventures of Michael Corleone, whereas the first two really revolve around major power shifts in the "family's" history.

Anyway. End ramble.


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Tell me a story. (Looking for a prose writer for an eBook single.)

Sunday, March 29, 2015

I want to take a foray into electronic publishing.

I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.

There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)

What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.

Send questions (or submissions) to gordon at multiplexcomic.com.

The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.

Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.

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