Notes from the Manager
Although The Dark Knight's record-setting debut weekend has been making the most headlines, the film's level of violence has been getting a little attention, as well. (Note: there are a few spoilers in the linked article.)
I don't know how many parents I've got reading this juvenile little strip of mine, so I don't really know how much anybody else out there will particularly care about this subject, but the violence in The Dark Knight kind of bothered me. The film was absolutely spectacular, mind you, and, in some ways, it was refreshing to see the Joker be able to cut loose with an appropriate amount of fucked-up insanity for the character, unlike the candy-coated Nicholson version or the relatively family-friendly Batman: The Animated Series version.
The level of violence bothered me not in the context of the film, but in how the film was being marketed. Toys are a hard one to gauge ages for, because adults collect action figures. (I do think MacFarlane Toys' products — while often disturbing — are generally and plainly aimed at older collectors/hobbyists, not children.) But I saw children's picturebooks unquestionably aimed at grade school aged kids at a Borders the other day — not just generic Batman picture books, mind you, but Dark Knight-specific picture books, with a sanitized version of Heath Ledger's Joker — and my soul died a little.
Marketing a film like Dark Knight to kids that young is simply inappropriate. Even though it is (of course) the parents' responsibility to decide if their child is ready for a PG-13 or even R-rated movie, little-kid merchandise gives parents the impression that the movie is appropriate for younger kids, whether that is the case (as in Iron Man) or not (as in DK, in my opinion, anyway).
Of course, you could tell from just the trailers that the Joker was going to be one messed up puppy but you couldn't (SPOILERS) tell that he was going to shove a pencil into a guy's skull or how fucked up Two-Face was going to look… (END SPOILERS).
I don't think Dark Knight should have gotten an R; to say sixteen year olds shouldn't be able to go to Dark Knight without a parent is absurd. But I do think a non-superhero movie from a studio without Warner Brothers' leverage with the MPAA with the exact same level of violence would have been given an R without hesitation. (Most people who have seen This Film Is Not Yet Rated would suspect the same thing.)
But because the studios aren't doing parents any favors by marketing movies like Dark Knight towards kids, they need to be better prepared when they take younger children to the movies — even (shudder) at the expense of spoiling movies for themselves, and so to that end, Parent Previews and Kids in Mind are two of many options to read up on the content of the movies at your local multiplex. (Note: Both links take you to The Dark Knight page at each site, so be ready for spoilers. Very detailed ones.)
Neither of these sites' Dark Knight reviews are quite on the mark, in my opinion (Kids in Mind's rating system has Iron Man's violence/gore rating equal to Dark Knight's which is ridiculous), so I'm not necessarily endorsing them; I'm just saying that they exist, and that parents should find resources they trust to rely upon.
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Saturday, October 4, 2014
Written and directed by James Ward Byrkit.
Starring Emily Foxler, Hugo Armstrong, Nicholas Brendon, Elizabeth Gracen, Lauren Maher, Alex Manugian, Lorene Scafaria, and Maury Sterling.
A new Patreon backer at the $50 level opted out of the usual reward of a plug in the “Become a Multiplex Patron” box (above, on the website), asking instead for me to plug the 2013 indie science fiction filmCoherence (with which he is not affiliated). I was happy to oblige, and so “A fan of Coherence” — a.k.a. The Patron, as I’ll refer to him from here out — is, for the duration of his patronage, among Multiplex‘s supporters. (And, yes, I will review just about any movie a $50 backer asks me to.)
What really got my interest in the film (aside from being asked very nicely to see it) was that The Patron compared it to Shane Carruth’s Primer, one of the best no-budget sci-fi movies ever made. I can definitely see the comparison: both are decidedly low-budget films with small casts and a science-fictiony premise. I feel like seeing the film fairly blind is probably the best, so I won’t summarize the plot beyond the premise of eight friends having a dinner party when a comet passes over and Strange Things Happen, but I don’t think I’m quite as enthusiastic as The Patron.
Unfortunately, the “go in as blind as you can” suggestion means I feel like I need to be pretty vague. Some clunky (and largely unnecessary) exposition gets spat out early on, which tried my patience a bit, but it gets fun as the plot gets rolling. And the plot is definitely the star of the film, not the largely forgettable cast of affluent, Southern California white people or the dialogue, which often feels improvised (in that it neither pushes the story forward nor reveals character, as good dialogue ought to).
Despite some genuinely terrifically creepy or suspenseful moments in the film, a handful of contrived plot points hold it back from being much more than a fun genre flick for me, but I found myself wondering what would happen next — almost up to the very end. A late turn in the film got more of an eye-roll from me than the shock that I think it was supposed register. As always, your mileage may vary, but the film’s merits make it well worth a viewing, particularly for science fiction fans suffering from blockbuster fatigue.
Here’s the trailer! If it piques your interest, please do check it out. It’s available for rent from Amazon Instant Video or for purchase from its official website, among other places. (I never recommend reading YouTube comments, but definitely on’t read the comments if you want to stay away from spoilers.)
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