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#781: A Good Day to Die Hard

February 18, 2013

Notes from the Manager

I have to admit, since I’ve been doing movie jokes again (or rather, jokes about new movies again rather than jokes about movies in general, like in Book 6), I’ve had this nagging feeling that I’ve already done just about every one of these jokes before. Which is probably to be expected after 6+ years of doing a comic strip. And sooner or later, I’ll probably be right. Whenever that finally does happen, sorry! Hopefully it will be different enough that most of you won’t notice.

Anyway. A Good Day to Die Hard opened this weekend. I don’t really hate the sequels; I think Die Hard 2 gets a bad rap, and that it’s actually decent — just not nearly as good as the first one. I never saw all of Die Hard with a Vengeance, but what I saw didn’t really encourage me to see the rest. I enjoyed Live Free or Die Hard as a dumb fucking movie with some pretty fun action. “The new one” looks even bigger and dumber, and the reviews I’ve seen support my hunch, so, like the fourth one, it’s a rental for me, at best.

What I can’t get around with any of them after the second one is that they missed the main thing that made the first Die Hard great: he’s a normal fucking guy. John McClane was the antidote to the Arnolds and Slys of the 1980’s. Now, he’s a superhero, just like the rest. I saw Die Hard for the first time in high school on cable, and it was fucking magic — so for me, these sequels don’t count. When I do watch them, I just pretend they’re about some guy named Jon MacLaine. Or something.

See you Friday.


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Tell me a story. (Looking for a prose writer for an eBook single.)

Sunday, March 29, 2015

I want to take a foray into electronic publishing.

I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IBPA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.

There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)

What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.

Send questions (or submissions) to gordon at multiplexcomic.com.

The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.

Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.

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