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#781: A Good Day to Die Hard

February 18, 2013

Notes from the Manager

I have to admit, since I’ve been doing movie jokes again (or rather, jokes about new movies again rather than jokes about movies in general, like in Book 6), I’ve had this nagging feeling that I’ve already done just about every one of these jokes before. Which is probably to be expected after 6+ years of doing a comic strip. And sooner or later, I’ll probably be right. Whenever that finally does happen, sorry! Hopefully it will be different enough that most of you won’t notice.

Anyway. A Good Day to Die Hard opened this weekend. I don’t really hate the sequels; I think Die Hard 2 gets a bad rap, and that it’s actually decent — just not nearly as good as the first one. I never saw all of Die Hard with a Vengeance, but what I saw didn’t really encourage me to see the rest. I enjoyed Live Free or Die Hard as a dumb fucking movie with some pretty fun action. “The new one” looks even bigger and dumber, and the reviews I’ve seen support my hunch, so, like the fourth one, it’s a rental for me, at best.

What I can’t get around with any of them after the second one is that they missed the main thing that made the first Die Hard great: he’s a normal fucking guy. John McClane was the antidote to the Arnolds and Slys of the 1980’s. Now, he’s a superhero, just like the rest. I saw Die Hard for the first time in high school on cable, and it was fucking magic — so for me, these sequels don’t count. When I do watch them, I just pretend they’re about some guy named Jon MacLaine. Or something.

See you Friday.


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The Multiplex 10 is ten years old this month

Wednesday, July 1, 2015

Multiplex-10-Years

Ten years ago this month (on July 10th, 2005, to be specific), I posted two shitty looking comics to a corner of the Stripped Books website. At that point, I had no idea what I was in for: it was a gag strip that would quickly transform into a character-based comedy where people talk about movies — not just superficially about specific movies, but about how people watch and talk about movies of all kinds. The art got a little better, too.

The Multiplex characters took on a life of their own and ultimately turned this comic into an eleven- or twelve-year “epic” about the movie theater industry in one of the most interesting periods in its hundred-year history (and also this one jerk who kinda sorta becomes a slightly better person maybe if you squint your eyes and cock your head to the side a little).

Multiplex’s readership grew quickly in those first few years, thanks in very large part to a pair of guest strips on PvP and some well-placed Project Wonderful ad campaigns (thanks, Something Positive and Shortpacked!), and in the years since it has since retained a small but passionate readership that has supported me time and time again: the Patreon project of course, as well as two successful Kickstarter projects to fund two books I’m very proud of.*

Thank you for allowing me to tell this story.

Thank you for reading.

— Gordon


* Speaking of Kickstarter projects, there will be an announcement about Multiplex: Book Three… very soon.

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