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#719: Money Shot

July 16, 2012

Notes from the Manager

Related Strips: #664: Friends in Weed; #713: Scene from Above, Part One; #714: Scene from Above, Part Two; #715: Scene from Above, Part Three; #716: Scene from Above, Part Four

A couple of details unimportant enough not to include here (or that will come up later and aren't spoilery):

1) Josh doesn't work for the pizza place again. It's just an old shirt and hat he could get blood all over. He's a bartender now.

2) Since it's a black and white movie, they used black blood for these effects shots to heighten the contrast. Black and white also makes adding these extra zombies a lot easier, since they don't need to color match. That's one of the reasons they chose black and white, other than just being creepier, of course.

3) Josh is being used way in the back of the shot (he's in the top right), so they didn't need to put any detail in his missing arm or do the usual zombie eyes they've been using in the other scenes. I realize that the footage of Josh is still in the camera, and that Franklin wouldn't have actually been able to drop him into the version he showed Josh, but it's not meant to be literally the exact shot that he sees; it's the finished version. Well, finished without graytones, because I've fallen far enough behind on Book 2 that I still can't spare the time to tone the regular updates.

4) The "shot we took last fall" Jason mentions in panel 3 was taken in #664.

I wanted to have someone say that the green screen really tied the room together, but there wasn't room. sigh

So like I mentioned in (3), I've been falling behind on Book 2, but the Chapter 8 eBook will come out this week. The final bonus strip for it is done; I just need to get the actual eBook finished up now.


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Trailer Watch: The Theory of Everything trailer

Friday, August 15, 2014

There’s no telling how the film will turn out, but the trailer for The Theory of Everything impressed me by having a respectably balanced focus on both the life of Stephen Hawking (and relationship with his first wife) and the work he is so admired for, unlike so many other film biographies of so-called Great Men.

James Marsh (Man on Wire) directs Eddie Redmayne and Felicity Jones in the November 7th release.

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