Notes from the Manager
I know the ending here (with _____ walking in on ____ and ____ as one of them puts his/her foot in his/her mouth) is a little canned, but the fact that Jason and Norma just didn't care to even tell her amused me. The way I picture it, Norma leaves and Melissa doesn't know she was ever there, because Jason didn't think she needed the embarrassment.
See you Monday! I've got a couple of cool bits of news to announce in the near future, but you'll have to wait to find out…
As for the weekend, it looks like Rio and Scream 4 are the big new releases. Are any of you excited about either of these? 'Cause I'm not! Scre4m (I can't tell if they're serious about that) could be fun, but does anyone really think it'll be as good as the first one?
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Sunday, March 29, 2015
I want to take a foray into electronic publishing.
I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.
There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)
What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.
Send questions (or submissions) to gordon at multiplexcomic.com.
The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.
Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.
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