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#519: With a Heart of Gold

October 12, 2010

Notes from the Manager

Related Strips: #469: Enquiring Minds Want to Know

Sorry for the delay with this week’s first update!

If you didn't get the (almost) play by play with my Twitter account, my NYCC experience was a bit… hit and miss.

When I arrived on Friday morning to set up, I immediately noticed two things were wrong: (1) my “table in the Webcomics Pavilion” turned out to be an empty booth in a small, unmarked strip near some other webcomics people, and (2) the box of books I’d had delivered to the show was looking a bit unhealthy.

Somehow, what Reed Exhibitions had described to me as a “table” did not include an actual table, and I was forced to pay extra to actually get one. (I’ve complained, citing their sales person's e-mail describing it as a “table,” not a “totally empty booth” or “dealer space” or something accurate like that. While I’ve received an apology for the “miscommunication,” Reed hasn’t yet resolved this to my satisfaction.)

The box of books had clearly been dropped at some point, with over half the books’ back covers covered with black dirt of some kind and varying degrees of damage, and the box had been taped back together. While most of the dirt came off with an eraser, about 10 of the books were, in my opinion, unsellable.

Clearly, either UPS or Freeman, the company that handles any shipments and various “services” on site at the show, had dropped the box, and I needed to figure out who did it. A bit of detective work leads me to believe it was probably UPS, but I can’t really be sure, and as such, I may not be able to get any compensation for the damaged books.

Ugh.

It wasn’t all bad, though: Liz Bailie was an awesome fun tablemate (read Freewheel!), the Michael Bay T-shirts were a hit, the book sold very well, I met a lot of great fans — and (I think) made a few new ones. I also ran out of all the Multiplex cards with the URL late on Sunday, so now I need to order more before the next con I go to — which is actually next weekend. (I’ll have to figure something out for that.)

Those of you in the Minneapolis-St. Paul area should drop by and visit me at FallCon 2010 this Saturday, October 16th, at the Minnesota State Fairgrounds in the Progress Center!


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Tell me a story. (Looking for a prose writer for an eBook single.)

Sunday, March 29, 2015

I want to take a foray into electronic publishing.

I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.

There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)

What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.

Send questions (or submissions) to gordon at multiplexcomic.com.

The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.

Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.

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