Notes from the Manager
Related Strips: #275: Death Race, Part One
Three updates this week, all hand-drawn. See you on Wednesday and Friday.
To draw these pages, I draw and redraw thumbnails until I have a good idea of the basic layout, then create the panel borders in Illustrator. I lightbox the borders onto Bristol drawing paper, then pencil in the panels loosely with dark blue Colerase pencils. I find the light blue/non-photo blue ones too hard to see. I tighten up the pencils where needed with a regular 2H lead (although I suppose I could just use a different Colerase color) before moving on to inking.
I inked this page with a crow quill, because I'm only working at about 8.25" x 10.5" — not much larger than actual size. The bright white spots and the pitch black art show where I've done a bit of digital retouching. For instance, the shadows below the fronts of the karts and most of the checkered pattern on the sides of the karts were added in Photoshop, simply because I forgot to pencil them in the first time around. And the drawing of Kurt in the final panel was composited in from a different page, because I screwed him up the first time.
You can see panels 1–3 from this page over at my Flickr page. I inked those panels with a brush, because the figures were larger. If you compare the scan to the final panel, you'll see that I fixed Franklin's wonky eye digitally. Even when I work "traditionally," I do a lot with a computer.
You can also see a preliminary sketch of Kurt in his kart over at my LiveJournal.
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Friday, August 15, 2014
There’s no telling how the film will turn out, but the trailer for The Theory of Everything impressed me by having a respectably balanced focus on both the life of Stephen Hawking (and relationship with his first wife) and the work he is so admired for, unlike so many other film biographies of so-called Great Men.
James Marsh (Man on Wire) directs Eddie Redmayne and Felicity Jones in the November 7th release.
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