Notes from the Manager
Related Strips: #275: Death Race, Part One
Three updates this week, all hand-drawn. See you on Wednesday and Friday.
To draw these pages, I draw and redraw thumbnails until I have a good idea of the basic layout, then create the panel borders in Illustrator. I lightbox the borders onto Bristol drawing paper, then pencil in the panels loosely with dark blue Colerase pencils. I find the light blue/non-photo blue ones too hard to see. I tighten up the pencils where needed with a regular 2H lead (although I suppose I could just use a different Colerase color) before moving on to inking.
I inked this page with a crow quill, because I'm only working at about 8.25" x 10.5" — not much larger than actual size. The bright white spots and the pitch black art show where I've done a bit of digital retouching. For instance, the shadows below the fronts of the karts and most of the checkered pattern on the sides of the karts were added in Photoshop, simply because I forgot to pencil them in the first time around. And the drawing of Kurt in the final panel was composited in from a different page, because I screwed him up the first time.
You can see panels 1–3 from this page over at my Flickr page. I inked those panels with a brush, because the figures were larger. If you compare the scan to the final panel, you'll see that I fixed Franklin's wonky eye digitally. Even when I work "traditionally," I do a lot with a computer.
You can also see a preliminary sketch of Kurt in his kart over at my LiveJournal.
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Sunday, March 1, 2015
I was never a huge Star Trek fan, exactly. I love some of the early episodes, and I think Star Trek II: The Wrath of Khan is one of the greatest
science fiction movies of all time. I enjoyed Star Trek III and IV, too, for what they were. I read a bunch of the DC Comics Star Trek stuff at that time, because my brother bought them. And I watched a bit of the Next Generation and then fell off the wagon. Kirk and Spock were my Star Trek, and the Star Trek 2–4 “era” was its peak for me, warts and all, because that’s the “era” that really hooked me. And really, for me, it was all about Wrath of Khan.
In addition to playing Mr. Spock, of course, Leonard Nimoy did a lot of other things. He was on Mission: Impossible. He directed a few movies (Three Men and a Baby!). He was a photographer. He was the voice of Civilization IV. But one thing I really loved of his was Standby: Lights, Camera, Action, on Nickelodeon from 1982–1987, which provided a behind the scenes look at movies like Star Trek III, Return of the Jedi, 2010, and more. Nimoy hosted and occasionally interviewed guests like George Lucas. As a budding film nerd in the pre-Internet Dark Ages, behind the scenes specials like Standby: Lights, Camera, Action were hard to come by. I ate that show up.
Anyway, as you’re undoubtedly aware by now, Leonard Nimoy passed away on the 27th. As cartoonists do when they’re sad about these kinds of things, I drew a picture:
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