Multiplex - a comic strip about life at the movies

Multiplex is back (yes, already!)

2015-11-01 14.15.23

Thank you very much for the outpouring of kind words since last Friday. It meant a lot to me, and I’m happy to say that I have great news: things may not be quite so bleak as I thought last week.

For some background, since I haven’t shared much of this publicly, my cat Punk very nearly died in September from a urinary tract infection. A slew of medicines turned things around after a rough couple of weeks, and he had two great weeks but then relapsed. As it turned out, the strain of infection he had was resistant to the antibiotics he was on, so he had to go on some new meds.

Because he wasn’t back at 100% (as close to 100% as an 18 year old cat with three chronic diseases gets, anyway), the recovery this time was very, very hard on him. Punk had to be taken to the emergency room last Wednesday evening, then he wasn’t handling the pain medication they prescribed very well — or eating, except when I would spoon feed him baby food — so I was… in a very bad headspace last week.

With non-stop attention and some tweaks to his medication dosages, he began improving steadily on Friday evening, started to eat on his own and seek out my company on Saturday, and he even meowed for the first time in two weeks on Sunday.

If this keeps up, this will be the third time he’s cheated death (last month, and a bout with pancreatitis a couple of years ago), but I’m still nervous about him relapsing yet again. There’s also the very real possibility that there is something else going on behind all his recent troubles…

But… he’s a tough little guy, and he’s had a great couple of days,which is very encouraging. He has even managed to get back to work on the strip with me (pictured above!), and we’ll hopefully be able to keep at it.

The Multiplex update schedule may be a little erratic for the next couple of months. If that happens, hopefully it will be because I need more time to finish my MFA thesis, not another downturn in Punk’s health. Either way, thank you for reading, and thank you for all your support — financial, emotional, and… egotistical?

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Multiplex is on a short hiatus.

2014-03-02 13.02.03

I’ve learned not to discuss my personal life much online outside of a couple of the semi-private confines of Facebook, but this time is unavoidable.

My cat Punk has been my uncredited assistant for all ten years of Multiplex, and my best friend for nearly eighteen years. He is currently very ill and has been up and down for several weeks now, as some of you who are Facebook friends with me know. (The picture above is from better times.) Multiplex needs to take another break while I try to help him be as comfortable as possible, and, barring any miraculous recoveries, say goodbye.

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Major NASA Announcement

I know I don’t usually post stuff like this here, but I was so amazed by this major NASA announcement yesterday. Check it out!

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Multiplex Movie Review: The Island (2005)


This is  not as accessible to people who haven’t seen the movie as I like these reviews to be, but if you’re not familiar with The Island or Never Let Me Go at all, the premises are that clones are raised and educated as “spare parts” — which is just plain absurd. (The idea that such a thing would be allowed by any reasonable society made the premise impossible for me to swallow, except as a very far-fetched Twilight Zone-style scenario. At least in The Island, it was secret and illegal.)

An absurd premise isn’t a deal-breaker, though, really. But The Island never lets you go past its implausible premise, because it is constantly trying to explain how it all works in equally stupid ways, further compounded by Bay’s typical disregard for logic and continuity:

  • Once Lincoln Six Echo (Ewan McGregor) learns the truth about their lives, he goes to the apartment of Jordan Two Delta (Scarlett Johannson) so they can escape. She greets him at the door by saying, “How sweet! You came to see me off” (I’m paraphrasing some of that)… yet their next scene, moments later, she is surprised and exclaims that he isn’t allowed in the female tower (as it’s called). This might be able to be explained away by some contrived explanation, but… the two moments feel completely incongruous.
  • The massive underground facility the clones are kept in is maintained by presumably hundreds of normal human employees (including Steve Buscemi, Sean Bean, and Yvette Nicole Brown’s characters) — complete with a showroom for ultra-rich potential clients. Yet Lincoln and Jordan emerge from it into desert with nothing around. No helicopter landing pad, no parking lot… nothing. We even see a helicopter landing pad later in the film, yet it is again nowhere to be seen at the very end of the movie.
  • Pursued by mercenaries, Lincoln and Jordan end up in a train station. The mercenaries open fire, killing Steve Buscemi, and a panic ensues inside the station… yet Lincoln and Jordan run onto the train with oblivious workers and passengers milling around calmly — and it then proceeds to leave the station as if no one has just gotten murdered… and arrives some time later in Los Angeles, without incident.

Minor or not, the sheer number of them just keep piling up. sigh


This is the last of the Multiplex Movie Reviews I’ll be sharing here in the Deleted Scenes blog for the near future. I hope you’ve enjoyed them!

Patreon patrons and Kickstarter backers will see more of these in their respective feeds come January — as well as the Multiplex: The Revenge bonus comics, of course. (There may even be a few movie review comics during the semester as time permits, but I can’t really promise anything. I’ve got A LOT of work to do for my thesis!)

EDIT: By the way, I wasn’t familiar with Parts: The Clonus Horror when I did this strip. (I don’t watch MST3K; I can’t bring myself to watch movies that shitty, even if there are incredibly funny motherfuckers talking over them.) But several people have told me about it since. These kinds of things are usually largely coincidental (or unintentional) — different people independently arrive at similar ideas all the time. $130 million movies generally don’t need to rip off obscure B-movie (or book, or comic book) plots when there are thousands of equally good ideas that they can legitimately use for less money than a settlement.

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