This is the most standard action movie trailer yet for X-Men: Days of Future Past, but also the best overview of the plot of the actual film (not to be confused with the premise/basic set-up of sending Wolvie back in time in order to blah blah blah).
Pretty cool stuff. The movie finally comes out on May 23, 2014.
Via the official X-Men Movies YouTube channel comes the latest trailer for X-Men: Days of Future Past, joining the cast of the original X-Men movies with that of X-Men: First Class.
X-Men and X2: X-Men United director Bryan Singer returns to the director’s chair (he also produced X-Men: First Class, but Matthew Vaughn directed that puppy). In this new trailer, it looks like Bryan Singer’s gotten better at action, though some of the effects are kind of goofy. (In all likelihood, the Beast will never look good with practical make-up.) The story and the emotional beats that come with it will be the star, though, and that’s where Singer shines.
Singer has gone back to the X-Well with X-Men: Days of Future Past, which comes out on May 23, 2014. Reuniting a ton of X-Men cast and the X-Men: First Class cast, the film is intended (in part) to fix some of the continuity fuck-ups of the series — I’m looking at you, X-Men Origins: Wolverine and X-Men: The Last Stand, and while it could just be that I’m a sucker for the Sunshine soundtrack, which underscores most of this trailer, I think this looks pretty solid.
I think most people who saw The Hobbit: An Unexpected Journey would agree that it was overlong and a little too video gamey in some of the action scenes. Tolkein purists will object to the addition of Legolas… but they probably haven’t been on board with much about this trilogy (and some didn’t care for the Lord of the Rings trilogy, for that matter).
Well, what we see here in this first trailer for The Hobbit: The Desolation of Smaug looks a bit like more of the same, but at least we’re past the slow, introductory bits and into the meat of the story, so perhaps it will be more fun. In any case, as a movie tech nerd, I’ll see it for the high frame rate, which I thought looked wonderful outside of some very brightly lit scenes (a shortcoming of the cameras Jackson used, not high frame rate as a technology, I think).