Multiplex - a comic strip about life at the movies
DELETED SCENES

Archive for the ‘Bonus Comics’ Category

 

Multiplex #115 1/3: Wish You Weren’t Here

This is the first of two bonus comics that follow Multiplex #115 in the Chapter 6 eBook — and the Book 2 print collection, eventually — this time adding a little to the tail end of the Multiplex 10’s New Year’s 2007 party. (The New Year’s arc started here, if you want to refresh your memory of the whole arc.)

I noticed that around this time in the archives, Gretchen had sort of disappeared, so to help her prominence late in Book 2 feel a little more natural when you read it in the collection, I need to give the red-headed she-devil a little more screen time in the earlier chapters.

The next bonus comic will either go up on Wednesday or Thursday this week, depending on how many regular Multiplex updates I can crank out. It will continue from this one, hence the “1/3″ instead of my usual “1/2″ for bonus comics. I’ve got five more bonus comics for Chapter 6 left before I can release the eBook… If you’d like to speed up the process for Chapter 6 and/or Book 2, please make a donation!

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Multiplex #108 1/2: The Most Wonderful Time of the Year

I won’t be posting all of the bonus material from the eBooks/print books here, of course — gotta give you some reason to read the collections — but those of you who subscribe to one of the RSS feeds including the Deleted Scenes content or follow me on Twitter can look forward to occasional bonus comics and progress reports on Book 2 here. This is what Deleted Scenes was meant for!

It’ll be a while longer before Chapter 6 is a finished; there will be about 10 pages of bonus material (either bonus comics or extended strips) in it, and about five pages of bonus stuff in each of the other four chapters in Book 2, or about 30 pages in all. There won’t be a standalone story like Book 1’s Prequel this time around.

Anyway. You shouldn’t need to re-read Multiplex #108 again to follow what’s going on here, but even so, this bonus comic from the upcoming Chapter 6 eBook (and Book 2 print collection) doesn’t really stand on its own for a few reasons — it’ll work better in context, I promise. In this bonus strip, it’s Christmas night (or around there), after work, and the gang has just finished watching the horror remake Black Christmas (as seen in #108), as indicated by the movie poster in the background of panel 1. Devi is back in town from college for the holidays, and Jason is up to his usual thing: complaining. Coincidentally, this strip sort of ties in to what’s going on in the strip now with Jason and horror movies.

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A Friend In Need

This quickie hand-drawn comic was originally posted as a TopWebComics vote incentive on December 2nd. The news Becky mentions is, of course, true (although since then, doubts have been raised.) If you’re WAY behind, here’s some background about the lost Metropolis footage.

Yes, I will do more hand-drawn Multiplex comics as time permits. No, I will not start drawing the regular updates by hand, except in the same sorts of instances I have before: imaginary scenes, flashbacks, and such.

How I Draw Hand-Drawn Comics, Part 2

In Part One, I covered how I pencil hand-drawn comics (on the relatively infrequent times that I get to do them). Next comes inking.

I left off with the finished pencils. I scan those in and print them out again onto Bristol board so that — if I screw up a page (or panel) irretrievably — I can print out a new page and take another shot.

I ink with a Winsor & Newton Series 7 #2. I’ve used cheaper brushes, but they’ve all lost their points much more quickly than some of my oldest Series 7’s. I’m sure there are other, good brands for cartooning, though; I’ve just never used one. I’ll occasionally use a #1 for smaller details (although oftentimes, it’s just as easy — or even easier — to use the larger brush), and I often pull out the old Microns for the dots of characters’ eyes or other small details where an even line doesn’t hurt.

If a brush gets a stray hair that will just not get back into shape, I use a cuticle trimmer and snip the stray hair out at its base. It keeps my brushes in active duty a lot longer.

One of the things I can never quite get the hang of with digital inking is turning the Cintiq in order to get the best line of attack on a line, like you can with a physical page. Clearly, other people don’t have this problem, so don’t take that as some sort of argument that traditional techniques are better than digital. (And, y’know, it’s me. I draw Multiplex. Obviously, I don’t have a problem with digital art.)

I generally avoid using a ruler at any point when I ink, because I like my inks to look organic (or maybe I’m just lazy). With this strip, I left the panel borders and lettering for the computer, so you can see that I just ran my lines off into the gutter and off the page; they’ll get masked off after I scan the inks in.

I keep two jars of distilled water at my table: one for my bleedproof white brush, and one for the India ink. I use Speedball, but tend to let it sit out and evaporate a bit to thicken up before I use it — if it gets too thick, I add some distilled water. I use Winsor & Newton Bleedproof White, which will solidify after sitting around in the jar, but you can just add some distilled water and stir it up and it’ll bounce back (even after months and months of sitting around).

As a leftie, I should, but I forget this a lot and end up smudging my inks sometimes. So, out comes the bleedproof white, and I’ll fix any smudges and do some light touch-ups before I scan in my inks.

Below, you can see my inks without the letters and borders (left) and then with them (on the right). Apparently I forgot to ink the word “Manager” above the Manager’s Station and the movie poster frame behind Jason in the last two panels. Oops.

Next comes the retouching. Some things you can fix more easily with bleedproof white and a little re-inking; other times, you need Photoshop. My hand isn’t especially steady, so I almost always use Photoshop and my trusty Cintiq to do some touch-ups on the final inks. I kept that to a minimum on this page, only straightening out the top of the Manager’s Station in the first panel, moving Kurt’s head down a little in the second to last panel. If I’ve forgotten to ink anything, I’ll tend to do it digitally, rather than scan in my inks again.

At this point, I’ll add in the balloon pointers and call it a day (unless I need to color it, which I’m not doing for this strip).

After the cut, you can see how the finished page looks.

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