Directed by John Hillcoat.
Written by Nick Cave.
Starring Guy Pearce, Ray Winstone, Danny Huston, John Hurt, David Wenham, and Emily Watson.
The Proposition is a 2005 Australian Western centering a British lawman in a small Australian town Captain Stanley (Ray Winstone), and deal he makes withâ€¦ not the devil, but a devil â€” namely Charlie Burns (Guy Pearce). Charlie is presented with an ultimatum: to save his younger brother Mikey from hanging, he must kill his older brother Arthur (Danny Huston), the leader of a small gang of heinous, psychopathic criminals.
As Charlie sets out to find his brother, he runs afoul of a racist bounty hunter (John Hurt, in an amazing glorified cameo), Captain Stanley attempts to protect his wife (Emily Watson) from the horrors of his job and their newly adopted home, a slimy piece-of-crap politician (David Wenham, a.k.a. Faramir) throws a cog in Stanley’s plan, and a bunch of messed up shit happens.
It’s that B story between Stanley and his wife that prevents the film from being too unrelentingly bleak, like director John Hillcoat’s follow-up, the Cormac McCarthy adaptation, The Road. The tender exchanges, sublimely etched by the two actors, almost erase the shocks in nearly every other scene. More than anything else, they give the film its humanity, and yet they also give you perspective from which to register the more shocking moments that much more intensely.
I don’t say this too often, and I don’t say this lightly, butÂ The Proposition is a perfect film. From its first disorienting seconds to its gut-wrenching last, the film does everything it needs to, exactly when it needs to, exactly how it needs to.Â The violence is sickening, as it should be, to justify exactly why Arthur Burns needs to die.Â The impeccably shot Australian landscape is, at turns, gorgeous and oppressive, as it should be. The dialogue is exquisitely chosen. And the pace, though it may fool you in a few scenes, never lets up for a moment. The screenplay byÂ Nick Cave (yes,Â thatÂ Nick Cave) is just that good.
This is the Western with all the hokum and fantasy sucked out, folks. It’s ugly, it’s difficult, and it’s an absolute masterpiece.